Thursday, 14 August 2014

Looking older than you are?

The actors from Karlsruhe and Timisoara now....


The same actors a tiny bit photoshoped, and a tiny bit older...



Malte C. Lachmann, director of the play "The Clock is ticking" 

"Although we have finished our first three weeks of rehearsals in Karlsruhe and the theatre is on holidays now, the creative team's work doesn't come to a halt: We are busy preparing our rehearsals in Timisoara as there will only be two weeks left to put together the interactive theatre performance we started to create in Karlsruhe. And there is still a lot to do: Our playwright Peca Stefan has written more than three times the material it would normally need to put together a conventional theatre night as we will have the audience choose the scenes they want to see. That means a) each show will be unique and b) there are lots and lots of scenes for us to rehearse in order to have enough of them in stock. THE CLOCK IS TICKING and quite literally so.
So, finally, after three weeks we have managed to have a draft version of each of the scenes. The work itself was full of discovering the little and big differences between two theatre cultures (German and Romanian) during rehearsals and also whilst having a beer afterwards. Though, of course, there was not too much time to focus on that with all the scenes being rehearsed, rewritten and translated at the same time – a real inter-European creative chaos you might say. We are all thrilled to see where rehearsals will lead us as soon as we arrive in Timisoara and what it will be like to play with the reactions of a Romanian audience.

Now, without the rehearsals, there is more time to discover other meanings of the “Art of Ageing”, for example the art of ageing portraits of our actors on photoshop that will be projected throughout the show:"

Monday, 11 August 2014

Rehearsals "Strawberry Orphans" in Braunschweig #3




I`m Julia, the director of STRAWBERRY ORPHANS and I also did the research with my colleague Silke in Romania.

We just started the practical work in Braunschweig (Germany) with lots of improvisations and first scenic steps. One main challenge was the way to a common language on stage, which is now a mixture of Romanian, German and English. It is quite amazing to see that this is working.

For me, the most fascinating point of this project is the international exchange in aesthetics and intellectual approaches. Especially the hard discussions we had about justice, guilt and racism opened my mind. It should have been obvious, but the fact that we are people from one of the poorest and one of the richest countries in the EU really means connecting very different perspectives on the chances and risks of this whole European Union. For now it really feels like a very good chance to reflect on my own positions and doubt things I felt really sure about.

Monday, 21 July 2014

Rehearsals "Strawberry Orphans" in Braunschweig #2

The two actresses from Craiova and the two actors from Braunschweig went to pick strawberries in the German countryside. Another way to reflect on the topic of the performance outside of the theatre venue. 



From left to right: Gabriela Baciu (Craiova), Oliver Simon (Braunschweig), Sven Hönig (Braunschweig) and Gina Calinoiu (Craiova)

Oliver Simon (actor, Staatstheater Braunschweig)



Wednesday, 16 July 2014

Rehearsals "Strawberry Orphans" in Braunschweig #1

The summer time started with very creative encounters. The Staatstheater Braunschweig is the host of the 1st rehearsal period of the production "Strawberry Orphans". The two actresses from Craiova, Gina Calinoiu and Gabriela Baciu met the actors from Germany to read a first version of the text. Now it is time to bring it to the stage!



Thursday, 3 July 2014

Strawberry Orphans


Last year, Silke Merzhäuser and Julia Roesler, from the collective of artists "werkgruppe2" travelled to Romania to meet the team from the theatre in Craiova. They went together in Romanian villages where many families are tore part because of labor migration.

One interview is translated into English and will be use as a base for the theatrical work. 

GRANDMOTHER
My grandchild Marina said her mother is lying to her. She didn’t told her that she will be away such a long time and now she still isn’t come back.

Marina told me her mum will be beaten when she comes back – but now she still isn’t back.

It is terrible. There are four who are away, four of my children. One is in Scotland since eight years and one girl is in …eeehhh… not in Spain, but in … I don’t remember the country…

The mother of Marina and her aunt are in Germany. They also have been there last year and they are this year again.

They have the possibility to work somewhere and so they have to go.

Three months now.

Last year they have been away for two months and one week and now I’m wondering… They told us they are stopped till every work is done. I don’t know exactly…. They don’t know exactly… when they will come home. Till everything is picked clearly, but new strawberries were coming into…

I have no telephon. I do no phone calls. They don’t want me to talk at the phone because then everyone is crying.

The father of Marina is working at the marketplace, from 6 o’clock in the morning till 8 in the night. 750 lei – almost nothing … it isn’t even enough for the girl… We can live almost with nothing.

And here I am. I have land but I am not able to farm anymore. The women over the way, she is doing my laundry as I can’t do it. My back… I can’t walk anymore, my legs are not good anymore. Here I am - with the girl. What shall I do?

No, no. I‘m not in the mood for singing. I’m not in the mood for anything.

My biggest wish is that the children are getting jobs here so they can be with their kids in the evening. So that they don’t have to be always with me …. that would be the best. That would be even good for me. I’m 81 years old. My husband passed away 21 years ago. I stay on earth and 
I have to take care for everyone. I can’t walk anymore. It would be good, when I pass away suddenly. Then I wouldn’t have to watch my children having such a hard time. If they would find jobs in Romania, I could pass away und it would be perfect because I could pass away peacefully.

MARINA
I will go to high school and then I will be a doctor. I told my grandmother I will bring her back to health and so she will never have to pass away…

I have a desire, I wish my mother would come home. She told me next time she will give me a present: a Monster High Barbie. The Barbie can tumble around.


Friday, 20 June 2014

Deutsches Theater Berlin in Bratislava

In May, it was time for the teams from Berlin and Bratislava to meet to read the first version of the play, written by Nino Haratischwili. 


Impressions collected by Ulrich Beck, Dramaturge at the Deutsches Theater Berlin


 
Thies Mynther is testing the grand piano.
The horse just behind was in a theater production
 
View from the balcony of the theater. We can see the church, where Maria Theresa was crowned, the University and the building of the Slovak secret service
 
Let's work !
 
Brit Bartkowiak and Thies Mynther in front of the Slovak National Theatre
 
The border      
 
In the plane, flying home: eating crackers and working on the text